In 1974 Margarita Azurdia moved to Paris, which was a hotbed of revolutionary ideas, and began to frequent circles of women artists who encouraged her to radically change her notions about women and art. He studied painting and printmaking at the Universidad Autnoma de Santo Domingo, as well as the Arts Students League of New York City. Named Juanito Laguna and Ramona MontielLaguna a poor boy from a villa miseria, and Montiel a sex workermark Bernis most significant output, and are perhaps his most well-known work. [3] In 1982, she was a founder of the group Laboratory of Creativity (Laboratorio de Creatividad) that experimented with performance art in public spaces, theater cafes, art galleries, and museums. Courtesy of Milagro de Amor, legacy of the artist.He decided the names like someone Informacin y programacin de exposiciones, coleccin, actividades y proyectos de While traveling between Europe and Brazil, she developed her signature style of painting, combining a vivid color palette, sensuous forms, and imagery inspired by Brazils indigenous and African populations. At age 12, Mendieta was exiled from Cuba and sent to live in the United States under Operation Pedro Pana mass movement of unaccompanied Cuban minors, many of them children of counterrevolutionary threats to the Castro regime. Some of the carvings incorporate military elements such as rifles and boots, as a metaphor of the bloody years of the counterinsurgency war in Guatemala. In the 1960s, she developed her series of Proposies (Propositions)open-ended, experimental works that relied on public interaction. This exhibition surveys her career by way of an extensive body of work that includes painting, sculpture, and non-object art, as well as artists books made from drawings, collages, and poems. He developed an interest in the ideals and convictions of Marxism. Tufio passed away in 2008. Jenna Gribbon, April studio, parting glance, 2021. After the group disbanded in 1985, Azurdia continued to explore relationship between art and spirit. In the mid-1960s she began the Geomtricas (Geometric Paintings) series: large paintings with graphic designs based on diamonds, lines, and contrasting planes of colours that create a certain optical effect. Dias left Brazil for Europe when the Brazilian dictatorship was tightening censorship and persecuting artists. During the 1950s, he returned to Puerto Rico, becoming a part of the Generation of the 50s, a group focused on developing a modern Puerto Rican cultural identity and awareness. The 20 groundbreaking artists spotlighted in this list have influenced generations of artists, as well as scholars and curators who are addressing historical biases in art history. Born in 1931 in Antigua, Guatemala, Margarita Azurdia was educated in private boarding schools and attended a Catholic high school, Loretto Academy, in Niagara Falls, Canada. She returned to Guatemala and married Carlos Fanjul when she was twenty years old. Primarily self-taught, she first became known as an artist under the name Margot Fanjul. In 1978, she developed Huincha sin fin (Endless Band), where she juxtaposed black-and-white photographs of Chiles desaparecidos with the repeated question Where are they?directly indicting the military regimes atrocities. Margarita Rita Rica Dinamita is the first monographic exhibition in Europe dedicated to Azurdia (Antigua Guatemala, 1931 - Guatemala City, 1998). In her work she assimilated local culture and discussed gender issues in the context of the Guatemalan civil war (19601996). In Downtown Los Angeles, Siqueiros painted Amrica Tropical (1932), which was almost immediately painted over due to its controversial subject matter: a crucified indigenous man beneath an American eagle. Between 1971 and 1974, Margarita Azurdia produced the emblematic group of sculptures known asHomenaje a Guatemala(Homage to Guatemala), which again emphasises the constant dialogue between her work and its surroundings. https://en.wikipedia.org/w/index.php?title=Margarita_Azurdia&oldid=1138200068, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 8 February 2023, at 14:40. In the 1980s, Tunga created sculptural works and installations that visually mimic human hairstraightened hair strands caught in combs, as well as long, winding braids made from materials like from copper, lead, and brass. Azurdia originally commissioned local artisans specialising in traditional woodwork and religious icons to create fifty wood carvings based on their interpretations of her drawings and instructions. He decided the names like someone who chooses an outfit with which to camouflage himself while choosing a new identity. NextGenerationEU, Plan de Recuperacin, Transformacin y Resiliencia, Ministerio de Educacin, Cultura y Deporte, Portal de Transparencia | Gobierno de Espaa, Donations and long term loans at the Museo Reina Sofia. After its disbandment in 1985, Azurdia continued to explore the paradigm between art and spirit, conducting workshops and exploring in greater depth ideas of care and healing linked to nature and the environment, drifts that would also be reflected in her mature paintings, packed full of disconcerting and spontaneous lines reflecting the regrowth of feelings and memories marking her personal history. In 2003, El Museo el Barrio held a retrospective of Tufios oeuvre. He decided the names like someone He founded the Taller Boricua in 1970 and helped form El Museo el Barrio in Harlem. The sculptures were carved by local artisans to her specifications, and incorporated ornamental figuresplaster skulls, masks, feathers, pedestal tablesthat Azurdia collected from local artisans" stalls. A publication on art, politics and the public sphere, Collaboration with different agents and international political and cultural collectives, A confederation of artistic internationalism made up of seven European museums, Tel. [2], She also presented her work in collective and individual shows in Mexico, the United States, France, and Central America. Tamayos works during his time in New York are marked by a dream-like Surrealist quality, often incorporating human figures, fruits, or animals in vividly saturated canvases. WebMargarita Azurdia was a key figure in the vibrant art scene that surfaced in Guatemala in the mid-1960s, her extensive output spanning painting and experimental dance, His group exhibitions includeThe School of Nature and Priciple, The Elizabeth Foundation for the Arts' Project Space, NYC (2015);100 painters of tomorrow,Christie's Ryder Street Gallery, London (2014);Proyectos Ultavioleta presents, Museum of Contemporary Art and Design, Costa Rica (2013);Play with Nature-Played by Nature, Satoshi Koyama Gallery, Tokyo (2013);Kiss the Heart, Isetan Shinjuku, Tokyo (2012)andFuture Primitive, Ma2 Gallery, Tokyo (2010). At the time, Argentina was suffering through a dire economic crisis that worsened living conditions for the countrys most marginalized. Azurdia"s work reflects her feminist and anti-establishment views. Ironically, Picassos fascination with so-called primitive cultures encouraged Lam to incorporate his own Caribbean cultural background in his work, albeit with an acute understanding of cultural hierarchies perpetuated by the European avant-garde. Known for works that suggest human flesh, bodily functions, and spirituality, Tungas practice spanned sculpture, installation, performance, video, and poetry. From 1971 to 1974, Azurdia made an emblematic series of sculptures known as Homenaje a Guatemala (Homage to Guatemala), made up of fifty wood carvings commissioned to artisans specialised in religious figures, resulting in a set of assemblages with artisan objects, zoomorphic figures and women wearing boots, rifles and tropical fruit evoking the altars of the altiplano towns in Guatemala and referencing the cultural and religious syncretism imbuing the complex history of Guatemala. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 500,000 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price. 2017. Through this group, Azurdia explored the notions of ritual in everyday life, space, and time through the medium of dance. Like other Latin American artists working at the time, and in keeping with formal and conceptual developments in the international art world, Azurdia became interested in actively incorporating the public in her works. That same year, the National Arts Club in New York City presented him with a lifetime achievement award. The paintings from the series Geometric Abstractions are a clear reference to the way in which Azurdia approached life and art, with honesty and sensitivity, with an infinite curiosity and a profound connection to Guatemala. The most recent article is A Look at Museo Reina Sofa 2023 written for ArtDependence Magazine in January 2023. The sculptures depict women carrying firearms, babies riding on crocodiles, and tigers transporting bananas, images reminiscent of the magic realism from Latin American literature Last year, her exhibition at the Museu de Arte de So Paulo broke records as the most well-attended show in the museums history. Margarita Azurdia. In a small, darkened room, Azurdia placed uneven mounds of wet sand, inviting the public to traverse the terrain beneath their bare feet. He is perhaps best known for his Penetrables a series of immersive sculptural installations consisting of dense curtains of hanging wires, which viewers can explore with their bodies. After spending eight years in Paris where she focused on her poetry and painting, Azurdia returned to Guatemala in 1982, where she defended animal rights, gave workshops on the origins of sacred dance, and continued to write poetry. By the early 1980s, he began to work with found materials in sculptural installations. In Downtown Los Angeles, Siqueiros painted Amrica Tropical (1932), which was almost immediately painted over due to its controversial subject matter: a crucified indigenous man beneath an American eagle. WebMargarita Azurdia. In the 1920s and 30s, she developed many works affirming her leftist beliefs, including Self-Portrait on the Borderline Between Mexico and the United States (1932) and My Dress Hangs There (1933), paintings that criticize the United Statess imperialistic history and capitalistic desire for industrialized progress. Kahlo also addressed her longstanding pain due to various illnesses she suffered throughout her life, some due to a bus accident that left her partially immobile. Iluminaciones(Illuminations, 1989), one of her most important books of drawings and poems, gives us a sense of the degree of spirituality she had attained and of her deep connection with the natural environment. In 1966, she developed her series of Objetos sensoriais (Sensorial objects), using ready-made items like tubes, burlap sacks, plastic bags, pebbles, and spices. Many of Sotos works from this period were unstable forms, challenging a viewers perception of color, line, movement, and space. Established in New York in 1977, the institute had become a countercultural hub for the study of Buddhism and philosophies that foster mind-body connections, contributing to spreading a new global spirituality. 6 months. 38-39, were utilized as reference. His transgressive spirit was pierced by the currents that he discovered in the places and times that he inhabited, but especially by the history and culture of Guatemala. Margarita Azurdia. In 1968, the Geomtricas series was exhibited at Galera DS in Guatemala City and at Cisneros Gallery in New York. The series of paintings on paper and collagesRecuerdos del planeta Tierra(Memories of Planet Earth), dating from the same period, takes a holistic and nostalgic approach to womens historical relationship with nature and the planet through the Goddess Gaia and the Mother Goddess, which were key aspects of her work in her last period. In the mid-1960s she began theGeomtricas(Geometric Paintings) series: large paintings with graphic designs based on diamonds, lines, and contrasting planes of colours that create a certain optical effect. Taking a retrospective approach, the exhibition offers an insight into Guatemalas modern and contemporary art landscape and invites us to explore Margarita Azurdias creative metamorphosis, as reflected in the many names under which she produced her works. She performed various rituals in the company of other women, such as Ceremonia de amor a la diosa Gaia (Love Ceremony to the Goddess Gaia), held in 1994 as part of the exhibition Indagaciones (Inquiries) at Sol del Ro gallery, and Puente de luz (Bridge of Light), a ritual carried out at the Kaminal Juy archaeological site in 1995. She presented a group of oil paintings with a limited palette that looked to American Expressionism and Informalism, and a series of concentric oval-shaped paintings in contrasting colors. Margarita Azurdia. In 1969, she received an honourable mention at the X Bienal de So Paulo for the series Asta 104, consisting of five large sculptural paintings entitledtomo(Atom),Ttem(Totem),Trptico(Triptych),Lotus, andPersonna. For the realization of this exhibition, images published by. In the 1990s, Azurdia devoted herself to the study of the role of women in history and religion. Together, they founded an experimental dance group called Laboratorio de Creatividad, which became a vehicle for their interest in movement, the origins of ritual, and sacred dance. Rafael Tufios interdisciplinary practice celebrated quotidian moments of work, leisure, and cultural expression. Back in Guatemala in 1963, her experiences in California prompted her to hold her first exhibitions. Cart. WebIn 1962 Azurdia exhibited her first painting, a self-portrait. Margarita Azurdia. These more regular ovals refer to the symbolism of the origin of life and the concept of the Omega Point developed by Jesuit philosopher, palaeontologist, and theologian Pierre Teilhard de Chardin. Retrospectively, the exhibition opens an in-depth view of the modern and contemporary art landscape in Guatemala and prompts an exploration of the artists creative metamorphosis between 1960 and the mid-1990s, reflected, moreover, in the numerous name changes with which she signed her works. Clark studied painting in Rio de Janeiro and in Paris, focusing on geometric abstraction. (Salir/ Calle Santa Isabel, 52 28012 Madrid Scaled-down reproduction of Abstraccin Geomtrica by Margarita Azurdia (disappeared), 30x26 inches, oil on canvas, 2016. Venezuela was in the beginning stages of a repressive military dictatorship, and Pariss vanguard circles offered an enticing promise of artistic freedom and innovationin particular, Cubism. In 1968, she created a series of minimalist sculptures that encouraged public participation, consisting of large-scale, cylindrical, and curved structures, which the public was invited to lie down on. Notificarme los nuevos comentarios por correo electrnico. Bernis representational, large-scale paintings highlighted the diversity of the Pan-American vision. In 1973, following Pinochets coup dtat in Chile, Donoso was fired from teaching graphic arts at the Universidad de Chile, presumably for her oppositional political beliefs. Why do currents of history from certain regions get left out of mainstream scholarship, pushed aside to the periphery? Donosos first and only solo exhibition was in 1976 at the Instituto Chileno Francs. WebMargarita Azurdia (*1931 1998, Guatemala), also known as Margot Fanjul, worked with painting and sculpture, collage, contemporary and sacred dances, as well as poetry and performance art. In 1928, do Amarals art was the centerpiece of the Manifesto Antropfago, which called for cultural cannibalismencouraging a Brazilian art form that ate and digested diverse artistic traditions and transposed them into a new, Brazilian context. This list of artists reveals that many of the groundbreaking, influential artists from Latin America in the 20th century were not tethered to the region but, in fact, incredibly global. As well as becoming fascinated by drawing and dance, she concentrated on writing and illustrating several of her books. In the late 1960s and early 1970s, Azurdia achieved some international renown. After majoring in printmaking and graduating from Tama Art University in 2003, he received the Tomio Koyama Gallery Prize and Naruyama Gallery Prize at GEISAI #10 in 2006 and the 1800 Tequila Award at ZONA MACO in 2015. In this work, the public was encouraged to crawl through a maze that suggests the female reproductive systemmirroring actions like penetration, ovulation, germination, and expulsion. (Salir/ Due to the repressive government of Alfredo Stroessner, his father crossed the border to work in Argentina. This publication includes an essay by Rosina Cazali and images courtesy of Milagro de Amor, S.A. Margarita Azurdia (Guatemala, 1931-1998), also known as Margot Fanjul, Margarita Rita Rica Dinamita y Anastasia Margarita, lived ahead of her time. El encuentro de Una Soledad (An Encounter with Solitude), included in a group exhibition organised by the Au Lieu dimages gallery in Paris in 1979, 27 apuntes de Margarita Rita Rica Dinamita (27 Notes by Margarita Rita Rica Dinamita, 1979), Des flashbacks de la vie de Margarita par elle mme (1980) and 26 anotaciones de Margarita Azurdia (26 Notes by Margarita Azurdia, 1981) are other examples of artists books from this period, in which Azurdia plays with words, humour, and often discordant rhythms. Save up to 30% when you upgrade to an image pack. Influential is a difficult term. After spending eight years in Paris where she focused on her poetry and painting, Azurdia returned to Guatemala in 1982, where she defended animal rights, gave workshops on the origins of sacred dance, and continued to write poetry. Iluminaciones (Illuminations, 1989), one of her most important books of drawings and poems, gives us a sense of the degree of spirituality she had attained and of her deep connection with the natural environment. Autobiographical in nature, the series revisits childhood moments and family ties, as well as domestic environments and periods of illness. In the latter part of Sotos life, he prioritized the dematerialization of form, suggesting movement and vibration through public participation. In 1930, along with artists Piet Mondrian and Michel Seuphor, Torres-Garca founded the movement Cercle et Carr (meaning Circle and Square). It was in the late 1950s that Soto became involved with the artist group Zero, embracing ideas of mechanization and industrialization. WebMargarita Azurdia (Guatemala, 1931-1998), also known as Margot Fanjul, Margarita Rita Rica Dinamita y Anastasia Margarita, lived ahead of her time. WebAzurdia also participated in the biennials of So Paulo and Medellin. Browse map, Margarita Azurdia, Women Transporting Yellow Bananas, 1971-1974. Spatially, the drawings explore the small city of Antigua Guatemala around 1930-1940, and include references to her time in Paris. Garafulic passed away in 2012 in Santiago, Chile. In the early to mid-1960s, Santa Cruz traveled to Paris and studied theater and choreography at the Universit du Thtre des Nations and cole Suprieur des tudes Chorgraphiques. From 1971 to 1974, Azurdia made an emblematic series of sculptures known asHomenaje a Guatemala(Homage to Guatemala), made up of fifty wood carvings commissioned to artisans specialised in religious figures, resulting in a set of assemblages with artisan objects, zoomorphic figures and women wearing boots, rifles and tropical fruit evoking the altars of thealtiplanotowns in Guatemala and referencing the cultural and religious syncretism imbuing the complex history of Guatemala. Donoso believed in the revolutionary potential of art when situated in public spaces. Whether she was Margot Fanjul, Una Soledad, Margarita Rita Rica Dinamita, or Margarita Anastasia, her chameleonic nature caused her to be swallowed up in the Latin American art world, but it also allowed her to re-emerge later as one of the most interesting artists in Guatemalas small art scene. Margarita Azurdia (born April 17, 1931 in Antigua, Guatemala, died July 1, 1998 in Guatemala City, Guatemala), who also worked under the pseudonyms Margot Fanjul, Margarita Rita Rica Dinamita, and Anastasia Margarita, was a feminist Guatemalan sculptor, painter, poet, and performance artist.[1][2]. Between 1971 and 1974, Azurdia created a series of fifty wood figurative sculptures, titled "Tribute to Guatemala" ( Sitio web del Museo Reina Sofa. In doing so, Ikezoe researched Azurdias visual methodology, and relied on images found in the catalogue Tres Mujeres, Tres Memorias: Margarita Azurdia, Emilia Prieto y Rosa Mena Valenzuela (TEOR/Tica, 2009). Her multidisciplinary practice consisted of performance, photography, and video works addressing the complicated entanglements between bodies, the Earth, and death. Margarita Azurdia was a Postwar & Contemporary artist who was born in 1931. As an artist from Japan, where ancient animism and leading technologies merge, Ikezoe creates works in diverse disciplines, including drawing, painting, video and performance, in relation to the balance betweenthe forces we think of asoutsideorbeforeourselves, and the civilizing of ourselves. Centurin died of AIDS in 1996, at the young age of 34. The use of the banana motif is a reference to the countrys troubled relationship with the United Fruit Company and the iconic novels of Miguel ngel Asturiass Banana Trilogy. Required fields are marked *. As the leading figure in the New Figuration movement, Dias pushed the limits of artistic dissent during a period of heavy repression. Margarita Rita Rica Dinamitais the first European retrospective devoted to Margarita Azurdia (Antigua Guatemala, 1931 Guatemala City, 1998), one of the twentieth centurys most emblematic Central American artists. In them, Azurdia reflected on life, pain, hopes, and the mystery of existence. Exposicin - Margarita Azurdia - Museo Nacional Centro de Arte They traveled to Europe, North America, and, in some cases, African countries. In the late 1950s, while temporarily living in Palo Alto, California, Margarita Azurdia began to explore the visual arts thanks to the free workshops at the San Francisco Art Institute. Siquieros painted murals depicting class struggle and strife. Margarita Rita Rica Dinamita is the first monographic exhibition in Europe of Margarita Azurdia (Antigua Guatemala, 1931 - Guatemal. Like other Latin American artists working at the time, and in keeping with formal and conceptual developments in the international art world, Azurdia became interested in actively incorporating the public in her works. What we should note and take into account, because it has its consequences even in the Genesis of Spirit, is the indisputable relationship that genetically associates the atom to the star. Born to a wealthy family in Coyoacn, Mexico City, Kahlo was introduced to art at an early age through her fathers photography. This list is not exhaustive by any means. It was during this time that she developed and performed her best-known poem, Me gritaron negra (1978), in which she recounted moments of racist prejudice she endured as a child. WebMargarita Azurdia (Guatemala, 1931-1998), also known as Margot Fanjul, Margarita Rita Rica Dinamita y Anastasia Margarita, lived ahead of her time. Although her father was German and her mother of indigenous and Spanish descent, Kahlo prioritized and celebrated indigenous cultural values and belief systems throughout her life. Margarita Azurdia was a key figure in the vibrant art scene that surfaced in Guatemala in the mid-1960s, her extensive output spanning painting and experimental dance, sculpture, installation and the creation of artists books assembled with drawings, collages and poems.Through a retrospective gaze, this publication offers an Following the war, in 1921, Siquieros traveled to Europe, where he spent time with Diego Rivera and became interested in Cubism. However, in contrast to the commercial Pop aesthetics in the United States, Diass works often condemned the military regime in Brazil. The survey delves into her career, journeying through her vast output, which spans painting, sculpture, non-objectual art and artists books drafted with drawings, collages and poems. Reflecting the spirit of the times, at the II Bienal de Arte Coltejer (1970) in Medelln she presented Por favor quitarse los zapatos (Please take off your shoes), an installation created specifically for the occasion in which visitors were invited to surrender to a sensory experience. Centurins work embodies an ethos of honest, tender reconciliation during the AIDS epidemic that ravaged artistic communities globally. Born in New York City, he moved to Puerto Rico at the age of 10. Around that time, the internal armed conflict in Guatemala established Cold War dynamics that gradually began to restrict freedom of expression and fuel the repression of dissidents and intellectuals. Into the 1970s, Clark continued making works that explored erotic psychoanalysis, social dynamics, and collective consciousness. Azurdia also participated in the biennials of So Paulo and Medellin.After her death in 1998, her home in Guatemala City (located at 16-39 5th Avenue, zone 10) became a museum, the Museo Margarita Azurdia, where many of her paintings, sculptures, and photographs are displayed. She presented a group of oil paintings with a limited palette that looked to American Expressionism and Informalism, and a series of concentric oval-shaped paintings in contrasting colors. What this list indicates is that artistic narratives of the 20th century have recognized certain artists as influential because of their respective proximities to the global north. Tony Capelln investigated themes of environmental destruction, socioeconomic scarcity, legacies of colonialism, and diaspora in his work. In the 1960s, Azurdia publicly opposed neofigurativism (neofigurativismo), an art movement promoted by a group of male artists known as Grupo Vertebra, and was responsible for starting a new art movement known as new conceptual abstraction (nuevo abstraccionismo conceptual) In 1962 Azurdia exhibited her first painting, a self-portrait. The paintings from the series Inspired by Maya textiles, these paintings were a turning point for modern art in Guatemala. The exhibition also looks at Margaret Azurdias last works, produced in 1998, the year of her death: two wardrobealtars which she signed Margarita Anastasia in memory of the slave Escrava Anastacia, a folk saint venerated in Brazil. In 1934, Torres-Garca returned to Uruguay and fully embraced Constructive Universalism, combining the structured grids of abstraction he had seen in Europe with symbolic characters alluding to pre-Columbian thought systems. In 1970, Azurdia developed her first immersive installation, titled Favor quitarse los zapatos (Please take off your shoes). He is considered the most political of the three great Mexican muralists, due to his dedication and commitment to his cause through public art. Lams early works from this period are dark and foreboding, suggestive of death and warfare. Guided by an interest in formal purity, Garafulic used materials like marble, bronze, and terracotta. For instance, at the Second Coltejer Art Biennial in 1970, held in Medelln, the artist left behind her predominantly pictorial work and adhered more to the spirit of the times with the installationPor favor quitarse los zapatos(Please Take Off Your Shoes), created specifically for the event, whereby she invited viewers to delve into a place of sensorial experimentation through performative and interactive elements. WebMargarita Azurdia (1931 - 1998) artist profile Margarita Azurdia is a modern artist, who died in 1998. artworks sold in major auction houses no news presence total artworks 0 The replicas have been reproduced with oil on canvas, and have similar dimensions to a small group of geometric abstractions of smaller scale that Azurdia created in the late sixties. In 1992, Ceturin was diagnosed with HIV, and as his illness worsened, many of the phrases he included in his works dealt with this melancholy and his acceptance of his own mortality. A transcultural aesthetic scholar, juxtaposing styles and influences from various global traditions, Lam is perhaps the most syncretic artist of the 20th century. His Note on the Unforeseen Death (1965) contains imagery of military uniforms, atomic mushroom clouds, gas masks, and human skulls. She prioritized the endless possibilities of the viewers interpretation. Courtesy of Milagro de Amor, legacy of the artist, Some rights reserved. Centurin was raised primarily by the women in his family while coming of age as a gay man in a conservative society. WebMargarita Azurdia (b. In the 1930s, he developed his theory of Constructive Universalism, the belief that art should reflect geometric purity as well as symbolic content. In 1974, she moved to Paris, the epicentre of a veritable revolution of ideas, where she became involved in women artists circles and was encouraged to trace a watershed in her own conceptions as a woman and artist.

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